摘 要

京剧,作为中国传统文化的精粹,蕴涵着深厚的文化底蕴和艺术内涵,蕴藏着浓厚的文化思想.随着社会的发展，国家更重视文化艺术遗产的传承。本课题从中西文化差异，及京剧与歌剧异同对比探析京剧与西方音乐的融合，国粹京剧吸收外来先进文化与元素，与时俱进，同时受西方音乐人士热爱与推崇，出现了许多带有京剧元素的音乐素材。很多音乐人士对京剧与西方音乐融合做出了努力。京剧中加入西方音乐元素，改变了节奏舒缓，唱腔与表演的单一性。虽然京剧的发展已经进入了历史的瓶颈期，与西方音乐元素的融合或许是其长久发展的另一个突破口。尤其京剧与现代流行音乐的结合，让我们看到古典与现代碰出的火花。

关键词：京剧； 歌剧；流行音乐；融合
 
Abstract

Peking Opera, as the essence of Chinese traditional culture, contains a prosperous cultural heritage and artistic content, contains strong cultural thought. With the development of society, more attention are given to heritage of arts and culture. This subject begins its research with the comparison between Chinese and western cultural difference. Comparison of similarities and differences between Peking opera and opera helps us see clearly the combination between Beijing opera and western elements of music. Peking opera, the quintessence of Chinese culture, absorbs advanced-foreign cultural elements, keeps up with times. What’s more, it is welcomed and respected by western artists who have created many musical materials mixed with Peking opera. Many musicians have made an effort to this combination. When we add some elements of western music into Peking opera, it can change its soothing rhythm, the simplicity of singing and performing. Although the opera’s development has entered into its historical bottleneck, the integration of elements of Western music may be another breakthrough in its long-term development. Especially, the combination between Peking Opera and modern pop music gives us a classical and modern touch full of spark.

Keywords: Beijing opera; opera; pop music; combination

Chapter 1 Introduction
We are now in an era of economic globalization. The development of economic globalization has not only changed the world economy, political structure, but also makes a profoundly effect on the development of cultural and drama.
In the middle of 19th century, with the rapid growth of Western economies, the developed capitalist western countries began his colonialism and cultural output, which sharply broke down Eastern and Western drama’s separated situation. Western learning spreading to the east promoted the reform of Chinese traditional drama.
“Entering into the 20th century, economic globalization became more intensified. The communication between western and eastern drama became more profound and much closer to each other. Peking Opera continued to be affected and impacted by the Western drama. After the sunset of western realistic drama, western opera began to examine their own features. At the same time, he tried to receive some eastern opera’s essence.”