浅析《飘》中斯嘉丽的女性主义思想_英语文学论文
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摘 要
   
《飘》是美国女作家玛格丽特•米歇尔十年磨一剑的作品,也是她唯一一部小说。国内外已经有众多学者从多角度对其进行了深入细致的研究。本文以法国著名的存在主义者,女权主义运动创始人之一的西蒙娜•德•波伏娃的著作《第二性》中的相关观点为理论支撑,以美国南北战争为时间线索来分析斯嘉丽女性主义思想形成过程。它分别描述了战争前,战争期间以及战争后斯嘉丽的生活状态以及思想情感,重点描述了她的爱情婚姻观,金钱事业观。本研究发现,随着战争的发展起伏,斯嘉丽由战前一位娇生惯养而又叛逆果敢的富家千金到战间无谓世俗偏见、不怕艰难险阻的寡妇遗孀成长为战后独立自主、保家护亲的家园卫士。在此过程中,由于各种艰难险阻,她的爱情观、金钱观逐渐发生了变化,女性主义意识也因而得到了很大的发展。通过本文研究,能够促使新一代的女性向斯嘉丽学习,不畏艰难险阻,不惧世俗偏见,努力追求自我解放与独立。

关键词:《飘》;斯嘉丽;女性意识;成长;《第二性》

ABSTRACT

Gone with the Wind is the only novel written by Margaret Mitchell and is also the one which she spent almost ten years on. Since it is published, a number of scholars and critics both at home and abroad have conducted a number of careful researches on it from different perspectives. This paper is going to apply relevant theories proposed in the treatise The Second Sex by French well-known existentialist Simone de Beauvoir, one of the founders of feminist movement, to analyze Scarlett's gradual formation of feminist thoughts according to time sequence. It describes Scarlett's living conditions and inner emotions before the Civil War, during the war as well as after the war respectively. And it especially portrays her attitudes towards love and money. From the thesis, it can be known that Scarlett grows gradually from a traditional belle into a complete new woman with the development of war. Before the war, she is a well-spoiled, rebellious daughter of a rich plantation owner; during the war, she successfully turns into a strong and courageous widow who is not afraid of mundane prejudice and various difficulties from; and then after the war, she completely grows into an independent protector of her land and her family. Because of those handicaps and difficulties, during this course, her attitudes towards love and money have gradually changed. Therefore, her feminist consciousness has developed greatly. Researching on Scarlett's feminist thoughts can inspire women in today's society to learn from Scarlett and actively seek freedom and independence regardless of various impediments and mundane prejudices.

Key words: Gone with the Wind; Scarlett; feminist consciousness; growth; The Second Sex
 

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