Abstract
The Turkish writer Orhan Pamuk concerns about the relationship between vulnerable civilization and dominant western civilization. He tries to seek a way out for vulnerable civilization. In his masterpiece My name is Red, Pamuk rejects the absolute “nationalism” and “Westernization”, showing a preference for cultural hybrid. However, cultural conflict always has its complex economic, political and historic factors. The ideal cultural hybrid is not easy to reach in modern Turkey. According to the novel and Turkish current situation, this thesis believes that westernization and secularization is Turkey's better choice to get economic and political stability, and thus achieving its modernization.
Keywords     My Name is Red  cultural hybrid  westernization  secularization

土耳其作家奥尔罕•帕慕克关注弱势文明和西方强势文明的关系，并寻求弱势文明的出路。在其代表作《我的名字叫红》中帕慕克以古喻今，以土耳其传统细密画和西方透视画、肖像画间的冲突为切入点，描绘了16世纪弱势的土耳其文明和西方文明间的冲突，并借人物“橄榄”否决了绝对的“民族主义”和“西化主义”，显示了文化杂合的理念主张。然而文化冲击的背后都带有经济政治和历史因素，在现代，土耳其文化杂合的理想并不易达到。本文根据小说并结合土耳其现状，认为当前土耳其更应选择西方化和世俗化，才能获得经济和政治的稳定，实现现代化。
关键词  《我的名字叫红》  文化杂合  西方化 世俗化

The Turkish writer Orhan Pamuk ,“who in the quest for the melancholic soul of his native city has discovered new symbols for the clash and interlacing of cultures”(Nobel Committee awards the word), won the 2006 Nobel Prize for Literature with his masterpiece My name Is Red . From the surface understanding, “My name is red” describes an annihilation of an art form - Turkish traditional miniature and the conflict between it and Western perspective painting and portrait painting in their painting styles. Behind elegant miniature paintings, however, the author sees the conflict between two cultures through the confusion and struggle in heart of those miniature painters of the empire. The two painting styles represent two very different cultures and beliefs. Faced with the strong Christian “pagan” culture, the Muslim Turkish people have made different responses respectively, which results in a series of differences and contradictions.