摘  要

《傲慢与偏见》是英国女作家简•奥斯汀的代表作。小说情节曲折，富有戏剧性，语言清新流畅，充满机智，是奥斯汀最受欢迎的一部小说。反讽，作为一种写作手法，在《傲慢与偏见》中塑造了鲜活的人物形象，使小说妙趣横生，另读者百读不厌，它是《傲慢与偏见》的艺术精髓之所在。译者在翻译时既要识别出原文中的反讽手法，又要将其在译文中最大限度地传译，使读者能够充分欣赏到原文的反讽特色。本文以奥斯汀的《傲慢与偏见》两个中文译本中的反讽翻译为例，综合《傲慢与偏见》的写作背景和相关反讽理论，比较这两个译本各自的特点和不足之处，促使译者在翻译时更加注重对于原文反讽手法的理解，从而提高小说的翻译质量，准确传神地再现小说原文的精髓，使读者感受其无穷的魅力。

关键词：《傲慢与偏见》；反讽；中文译本

Abstract

Pride and Prejudice is the most representative work of British novelist Jane Austen. It is also the most popular work of Austen for its complex plots, dramatic stories and beautiful smart language. And irony, as a writing technique, is the essence of artistic value in Pride and Prejudice. It makes the characters more vivid and the story more interesting. A translator should be able to distinguish it in the original texts and then convey it in the translated works, so that readers could fully appreciate it. This paper will focus on the use of irony in Pride and Prejudice and the translations of it in two Chinese translation versions of this novel. The author will analyze it by combining its writing background and some related theories of irony to find out the traits and defects of these two translations. The aim of this paper is that, by doing this research, translators can make greater efforts to understand irony in novels while translating and thus improve the quality of the translation versions, making them accurately represent the charm of the original texts and interest more readers.

Key words: Pride and Prejudice; irony; Chinese translations